I’m making a contribution to an evening at the CCA in Glasgow, in the form of a lecture/talk/poetry-reading (it’s a bit of all of those) on Tuesday 26th May, 2015 at 6.30pm. The page on CCA’s website outlining the event is here.
It’s a hard one to paraphrase as part of the idea of the event is to open up to wider discussion and thinking around a project called Ripples on the Pond, which is showcasing women’s work in the Glasgow city collection, with particular attention to possible connections to be made between works on paper and moving image work. My involvement comes through an invitation from Alex Hetherington under the name of Modern Edinburgh Film School, an unapparent space/body which he curates. Catherine Street is one of the moving image artists featured in the Ripples on the Pond programme and the evening centres on her work, including a presentation from Catherine herself and the chance to experience some of her film and audio work. I’m taking as my role for the evening, the presentation of some thinking about how poetry and work in text can mirror some of the same processes that Catherine talks about her work being interested in: mainly the idea of multiple presentations of the self through layered recordings and live elements. I’m looking at the idea of variant readings and how they feature in editorial and performance work. Unsurprisingly to those of you who know my interests, Emily Dickinson will feature!
There’s more information on the whole Ripples on the Pond project here.
And here’s the Modern Edinburgh Film School tumblr here.
And not least, Catherine Street’s website here.
This is one of the more open briefs I’ve had for a while and I’m really enjoying the chance to open up my thinking in the space created by this linking into other practices and artforms. Come and see what transpires if you can.