England mini-tour, Spring 2017

I’m doing a little self-described tour – definitely not grandiose – over the next few days. Would be good to see listeners, watchers, friends at the following three events. I’ll be reading from my Art Talk Notes poems, among other things (including a guest pop-up in Nottingham from Leiza McLeod!)

1) Nottingham

Reading at Five Leaves Bookshop on Wednesday 29 March, 7pm. Entry £3. With mon ami Colin Herd, as well as Vicky Sparrow. Thanks to Lila Matsumoto for organising this one.

2) Bristol

Back at my old haunt Arnolfini contributing to a reading series called Anathema for Moot, Hesterglock and Sad Presses. Friday 31 March, 6.30-9pm. Entry by donation. Co-readers are Redell Olsen, nick-e melville, Anne Laure Coxam, Sally-Shakti Willow & Joe Evans

3) Manchester

Not actually reading here, but attending the launch of this year’s Other Room anthology, which I’m in. Wednesday 5 April, 7.30pm. Free event. Seemed to me like a great excuse to catch up with friends there as well as hear readings fromErkembode, Juxtavoices and William Rowe.

 

p.s. This is all great and all, although I am sad to be missing CA Conrad and Sophie Robinson with home-girl Jane Goldman in Edinburgh. If you’re in Edinburgh, go to this! Embassy Gallery, 6pm, looks free.

video – Iain Morrison reading at The Other Room, Manchester

Got the video through from the reading I gave in July 2016 at a reading series I’ve long been an admirer of, The Other Room in Manchester.

I read a poem riffing on Star Trek, one that uses karaoke tracks from sad dance music, and Sunny Sutra, my beatnik poem for Orkney solstice times.

The night was a real pleasure for me, catching up with Manchester friends and poets. Kimberly Campanello and Geraldine Monk were on the line-up with me, two poets I’ve been interested in for a while, and I recommend checking out their readings too on The Other Room’s Channel.

Thanks for having me Manchester, and for the excellent documentation too.

Catherine Street / Modern Edinburgh Film School / Iain Morrison

ab2051c6-5035-4242-b3ca-e265e7598c52Street675

I’m making a contribution to an evening at the CCA in Glasgow, in the form of a lecture/talk/poetry-reading (it’s a bit of all of those) on Tuesday 26th May, 2015 at 6.30pm. The page on CCA’s website outlining the event is here.

It’s a hard one to paraphrase as part of the idea of the event is to open up to wider discussion and thinking around a project called Ripples on the Pond, which is showcasing women’s work in the Glasgow city collection, with particular attention to possible connections to be made between works on paper and moving image work. My involvement comes through an invitation from Alex Hetherington under the name of Modern Edinburgh Film School, an unapparent space/body which he curates. Catherine Street is one of the moving image artists featured in the Ripples on the Pond programme and the evening centres on her work, including a presentation from Catherine herself and the chance to experience some of her film and audio work. I’m taking as my role for the evening, the presentation of some thinking about how poetry and work in text can mirror some of the same processes that Catherine talks about her work being interested in: mainly the idea of multiple presentations of the self through layered recordings and live elements. I’m looking at the idea of variant readings and how they feature in editorial and performance work. Unsurprisingly to those of you who know my interests, Emily Dickinson will feature!

There’s more information on the whole Ripples on the Pond project here.

And here’s the Modern Edinburgh Film School tumblr here.

And not least, Catherine Street’s website here.

This is one of the more open briefs I’ve had for a while and I’m really enjoying the chance to open up my thinking in the space created by this linking into other practices and artforms. Come and see what transpires if you can.

 

Inclusion on James Cummins’ poetry blog Return to Default

I’ve been kindly included by poet James Cummins on his blog with my poem [Poetry for] A new ing.

 

The context for my poem was prompted by an invitation from the brilliantly-named Ecstatic Peace Poetry Journal to submit for an issue they were planning in the wake of turbulent political times during the Scottish Indie Ref, and I wrote it based on accreted journal and notebook entries made during that time. It was written fast and enjoyably but if the journal went to print, my poem was unsuccessful in being selected. So I’m doubly happy that James picked it up for inclusion here alongside a select group of writers I’m delighted to be in the company of. I notice Sam Langer, who I met in Berlin last year, is on there, and Stephen Emmerson whose energies I have been enjoying from afar, and occasionally in person, over the last while too.

 

I look forward to reading who joins me on this international Cork-based platform, as James’ wide-interest and (as he’s hinted) Irish perspective lead to his selections.

Iain on tour in London

This coming weekend I’ll be decamping to London to take part in a trio of poetry events, all reifications of different, slightly envelope-opening thinking.

They are:

1) Camaradefest II, at the Rich Mix Arts Centre on Saturday night.

2) a Scottish Poetry Power Breakfast at the ICA on Sunday morning. Free coffee and pastries!

and

3) a come-all-ye closing reading at the ZimZalla exhibition at Hardy Tree Gallery on Monday night.

To tease you, here’s the teaser trailer for my Sat night collaboration piece with the ever-trusty Colin Herd on my right hand side (your left)

or your could just watch this documentation of our last collaboration at one of SJ Fowler’s Camarade events.

Hope to see some London, blog-reading faces. Be well everyone!

‘Queer Information’ – call for submissions for Modern Edinburgh Film School’s first Poetry Anthology

Here’s an open writing call for a project I’m involved in. It’s headed up by the ever-mercurial artist Alex Hetherington.

http://alexhetherington.tumblr.com/post/98461588739/queer-information

The call is for an anthology to be published by Modern Edinburgh Film School at the end of this year. As Alex says in the blurb ‘inclusion makes no inference of sexuality’, although I’m definitely interested in the part about ‘poetry in gay discotheques’ tbh…

Would be great to get a wide range of submissions – deadline is 11 November.

Am excited to be working on this as it furthers my recent collaborative-creative interests. Particularly pleasing to be being presented in the corner of my creative spread that’s grounded in visual arts practice. It’s been an element of my work for some time, but I haven’t taken my practice fully into visual art’s home territories, so to be engaging closely with visual artists and their discourse is an important developmental act for me. I guess the closest to it in my previous work was my collaboration with Zoe Fothergill last year (and she’s also worked with Modern Edinburgh Film School) but there’s a real movement towards looking at how texts can behave when given space in visual art at the moment, and I’m excited to explore what that means from whatever perspective my range of previous creativity has given me.

More on this project will pop up here as it develops!

Auld Enemies: Colin Herd and Iain Morrison –– Friday 11th July 2014, 7pm @ Summerhall, Edinburgh

Just a heads up that in the midst of life we are in the midst of a smashing Scottish poetry tour: Auld Enemies. It’s organised by the magisterial S.J. Fowler from his London eyrie and is now unleashing fun, debate, collaborative writing and merry mayhem around our rebellious lands. A core coterie of poets are whirling round Dundee, Glasgow, Edinburgh, Aberdeen, Shetland, and Orkney before storming London at the end. They are: Ross Sutherland, Billy Letford, Colin Herd, Nick-e Melville, Ryan van Winkle and S.J. himself. The core is being added to at each destination by poetry players from the local locale. Tonight they took Dundee, tomorrow Glasgow, and I’m joining in with mission Edinburgh on Friday.

Colin Herd and I have worked on a new piece, building on some of the spirit of our Hidden Door collaboration, but cycling around a bit more for content. I’ll say not a jot more but leave you with the teaser trailer and the details (free! unticketed!) on this link here. Hope to see some of you at Summerhall on Friday evening.

Inspiration from Allen Ginsberg: Sutras

Hello one and all, well, at least one.

I’m writing at the moment, working on a new poem called Birthday Sutra for a reading on the eve of my 35th birthday (which seems a good time to sum) at the Sutton Gallery in Edinburgh. The event is listed here, and starts at 7pm on 21st May, 2014.

Here’s the first para of current Wikipedia article on Sutra, to give an idea of what my poem form might be:
‘A sutra (Sanskritसूत्रPālisuttaArdhamagadhisūya) is an aphorism or a collection of aphorisms in the form of a manual or, more broadly, a text in Hinduismor Buddhism. Literally it means a thread or line that holds things together and is derived from the verbal root siv-, meaning to sew’

The inspiration for my poem is loosely Allen Ginsberg and his oracular ‘sutra’ poems.  Here’s his Wichita Vortex Sutra text, and also a composition version of it with Philip Glass at the piano. May it fire up my imagination to similarly visionary heights!

http://mythofamerica.tumblr.com/post/9068001226/wichita-vortex-sutra

Hidden Door Festival film and print contributions from Iain Morrison

SJ Fowler’s Camarade night has been and gone from Edinburgh’s Hidden Door Fest (which punches on until this Saturday 5 April, ’14). But there are videos, mes braves. Here’s the one of mine and Colin Herd’s collaboration Colinthian Hidden Dooric Iainic.  We were taking inspiration from planning documents for the street where the festival is being held, and trying a bit of musical experiment along the way. Watching the documentation, I’ve enjoyed thinking about how what Colin and I were doing related to my previous metrical music and poetry efforts for Syndicate last year, with Lila Matsumoto and Atzi Muramatsu.

And also, Roween Suess has published the 4 comissioned poems (including one from me) for her Hidden Door exhibition here. Double whammy of Morrison poetry. Double whammies all round really, what with all the paired poets reading at SJ’s night, and on his poets and artists walking tour in the afternoon. I’d strongly encourage you to look at the other uploads from his youtube channel if you want to get an effective sampler of many of the most exciting poet voices in Edinburgh(+) at the moment.

Iain Morrison poem for Roween Suess Scopien Tele Telos

Roween’s drawing and my poem for Scopien Tele Telos, her sculpture which inspired it.

 

Iain Morrison at Caesura this Friday, 8 Nov 2013

Hotly anticipating my return to Graeme Smith’s excellent, and much engorged, Caesura spoken word night. That is, if I’m allowed to hotly anticipate myself (Vanity thy name is Morrison).

Graeme pointed out on the facebook event today that the last time I read with them was at Caesura  #4. Well, they’re up to Caesura edition #18 now and have been busily accruing their reputation as “the voice event of the only real literary avant garde in Edinburgh” (as Martin Belk put it). Basically they’ve upped the ante and I’m going to have to raise my game.

I have worked hard on this, though, so am hoping to pull off some sort of credible reading of my new longish poem ‘Hippocrener’ without getting too soaked from bottles of beer/piss thrown at me by the now alarmingly swollen crowd of regular Caesura aesthetes. It’s good that they’re vocal, I tell myself now, before stepping into the ring. That’s the point, right…?

Here’s a giddy extract from Hippocrener for any keenos wanting to ostentatiously nod along/off at the appropriate moment (encouraged behaviour. I am vain, remember) 🙂

‘Bod bud, soft-porn is an attractive category, promising not to bruise;

show me the rib and show me the rib only.

Unmoved much to care, electrolytic Hippocrener, Diabolus in Musica, hemiola utterer, ghost in the machine,

do I consdescend (to myself) to estimate what percentile of the populace my voice can speak for or, failing, over?

Engagement and interaction vs. truth-shout vis-a-vis personal experience.

Variable isn’t when or who

so much as how it represents a voiceless alveolar lateral fricative or similar sound, velarized.’

Hope to see some of you upstairs at The Artisan Bar. Night starts at 7pm-ish I believe. Entry by donation according to Graeme Smith’s The Goodnight Press website. Many talents on the bill: Sandra Allan, Karen Veitch, James Leveque, Graeme Smith, (me).